and its framework - light, reflections, three dimensions expressed within two.
The work is about looking, seeing photography, and at the same time
experiencing one’s own perception. One's own perception may be realized
through the reflexive presence and constructions in the image.
The construction of the image is always visible, deliberate.
My investigation of photography is not ridged. Rather my process may
be seen as a semi-science, a form of ‘romantic mathematics.'
The cannonized regiments of photography are hard to escape,
but easy to negelect. I aim to enter the sublime, through amateurism.
